 How to produce a decent reece??? |
Surya 
The Robot
Registration Date: 04-11-2002
Posts: 11,238
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Yeah, I know, but I would like to know anyway 
I do use Scream 4 if I'm working in Reason offcourse...
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"In dnb you should make people jump not swim"
- Pieter Frenssen 2004
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12-09-2004 14:08 |
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Soi
Super Moderator
Registration Date: 29-01-2003
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| quote: |
Originally posted by Qbit
just tested this vst and i think it's plain rubbish... that sound is just awfull. I prefer my v-station & junglist for reece's |
Yep. And there's no possibility to alter parameters, change presets,... it's just one sound unfortunately.
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a myspace
my tunes
"I'm not under the alkafluence of inkahol that some thinkle peep I am.
It's just the drunker I sit here the longer I get."
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15-09-2004 15:51 |
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saphir
Wicked Producer
Registration Date: 15-11-2002
Posts: 299
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plus this dork of a vst is audible only on the left speaker
though, that's what it did here
to surya
i might say one more thing to qbits reece guide
cut the hi's aswell
i hate it when there is too much hi in basses
plus i resample the whole thing at 22.khz. which gives you that extra ruff edge without boosting and distroying your sound.
most peeps are skeptic about this but just try it.
i get quite good comments on basses i make so... try it. not written as boast but to motivate you guys to try it. ( i don't say it's the perfect way) but it sure helps me.
ofkorz this only works if you want to use the "reece" as a lead or pad-like sound.
to add a sub to your reece, copy your sound and lowpass one, leave the other untouched or fine tune your eq for a good ballance.
for distortion on reeces i use the quadra fuzz.
why fuzz? cuz it simply fuzzes your sound with a touch of grain, simply luv that sound through my moni's. distortion or overdrive can give a hum and/or clicks when the reece is heavy compressed, and thats imo what a good reece should be, compressed as fuck, hard & grinding and crisp if you want 
and to tech live
you should hear my sample swamp...
i bought gallions of sample disks from zero-g, hell yeah got even the reinforced one, ... seems like the uk heads buy them aswell, or the otherway around
but anyway, magicians also have their secrets.
fe. how the fuck did coperfield get his claudia :p
the dude looks like a mummy
i don't care where the samples come from, as long you use them correct and pay attention to the copyright.
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http://soundcloud.com/saphir_gazmazk
www.nitras.be
This post has been edited 3 time(s), it was last edited by saphir: 15-09-2004 21:02.
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15-09-2004 17:19 |
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Surya
The Robot
Registration Date: 04-11-2002
Posts: 11,238
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tnx for the tips P!
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"In dnb you should make people jump not swim"
- Pieter Frenssen 2004
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15-09-2004 20:42 |
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i have a good reece preset for reasons subtractor if you want it but i will have to email it to you as i cant see to upload it anywhere.
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16-09-2004 00:44 |
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Surya
The Robot
Registration Date: 04-11-2002
Posts: 11,238
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I once downloaded a lot of Reece presets for Albino... They all sucked balls... Seems like it's hard to make a decent reece with only a synth...
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"In dnb you should make people jump not swim"
- Pieter Frenssen 2004
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18-09-2004 16:21 |
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Friscko
Aron Tinnitus
Registration Date: 12-03-2005
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| quote: |
Originally posted by tech life
try using the orginal sample that Bc used. (Worked For them)
Its in one of my sample packs its called Bc. Its off a CD called rising DNB.
They didn't make that sound they jus sequenced it.
Smoke and mirriors
the world of DNB
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Is that Rave003 from the Ravesounds pack?
I heard lots of simular sounding reeces around (like in The Upbeats' Werewolf...)
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www.myspace.com/arontinnitus
www.myspace.com/djfriscko
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12-10-2005 16:43 |
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TechDiff
Hetty Jakes Pretentious Cheese Wog
Registration Date: 14-06-2005
Posts: 1,028
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REAKTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!REA
KTOR!REAKTOR!REAKTOR!REAKTOR!REAKTOR!
If youve got version 5 and/or electronic instruments, the Carbon2 and Titan synths are madness! CPU intensive but great none the less.
Another way to get a reece style synth tone is with sine waves detuned in the usual manner, the through a bit crusher/reduction, then through filters etc, really dirty so watch yourself!
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12-10-2005 17:42 |
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Audio Assassin
unregistered
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2 Saw wavs mixed with the second one detuned to almost half a semitone.
Add some PWM to both Osc controlled by a sine or saw LFO (play witht he LFO speed to your liking)
Add a Bandstop Filtor set around mid way and Modulate it with another LFO (Play with the LFO speed to your liking)
Modulate the LFO speed with Keyboard tracking (you will need to mess with the modulation ammount that is done)
If you have a second filtor, add a highpass or lowpass filtor to it and set the filtor mix to 1/2 way
If you have a third Osc or even better a Sub Osc then make it a triangle at -12 semitones for low end (if on a virus, the sub osc is not tunable, just leave it be)
Add some moderate distortion, a little phaser, a touch of chorus.
for Absynth :
file > new
Set POLY to 1
Click on PATCH
Set mode to DOUBLE
set wave to SAW REAL (this is the normal saw, the other saws there arent the same)
click MOD (on osc1)
set it's wave to SAW REAL
now double click in the value for TRANS and type -0.6 and press return
turn the filter on by clicking on the one at the bottom.
set mode to LPF -24DB
set HZ to 270
set the RES to 0.4700
now hit the note D#2
^^^ like that.....
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12-10-2005 22:33 |
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