wTrouble
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Registration Date: 01-06-2005
Posts: 106
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a couple of things...
firstly, I've heard some producers say that writing your tunes at a slightly lower tempo and upping the bpm slightly once the track is complete can tighten everything up - never tried it, just heard...
secondly, surely, as a dj, as long as the bpm is within the range of the pitch control on the decks, it doesn't matter if the track's bpm is 175.3656985645 or whatever because it's an analogue control and you beatmatch it with whatever the other tune is. The exception here being when the difference between an older tune and a modern one just cant be met on something like technics with +/- 8%
In terms of tunes 'slipping out' this is surely down to the skill of the dj in continually working the pitch control through the course of a mix - for most people, you can't just expect to get two tunes in perfect sync from four bars, so you need to stay on top of it.
I think it would be dull if everybody wrote at a standardised tempo and would take a lot of fun out of djing. I think it's Mickey Finn or Aphroditie that does sets with no headphones, and this would probably be explained if you take into account what someone said above about lots of their tunes being written at the same tempo.
And while I'm ranting, I think it's a serious mistake learning to dj with bpm counters - they're unreliable for a start, and your in deep sheizer when you turn up to play a club and the mixer doesn't have one. You need to be super resilient to different playing circumstances if you play out in different places - dodgy monitors, weird mixers, etc - and can come a cropper if you get too comfortable with the setup you have at home.
Hell, I've seen some well known djs get all stroppy because they can't have the decks turned round sideways
/rant
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