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Digital Cause Digital Cause is a male
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I guess like most of you I apply a bit of limiting and normalize my tracks when they are done. My last track however when I bounced it, the snare was taking up most of the gain space, and this was therefore taking the average level of the track down loads!

So I tried limiting but after I get to any level where I want to be, it just sounds too harsh.. also the snare cant go any quiter in the mix ! Ive tried compressing, limiting, everything!

This should be a simple problem but its not, now I may try just re-doing the drums for the track, or finding another snare rather than one I made myself cos this is ridiculous.


Any Ideas on what I can do?

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22-02-2008 10:46
-J- -J- is a male
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check the filtering of all the snares you layered, take down overall level of your snares ...

snares should be punchy, but they get punchy far more easily and at a way lower amplitude than you might expect, avoid too much compression and limiting, rather try ditching some compression and try eq'ing well instead of seeking solutions in a compressor and a limiter, they're more harmful tools than they are helpful !

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22-02-2008 14:39
BattleDrone BattleDrone is a male
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quote:
Originally posted by Digital Cause
I guess like most of you I apply a bit of limiting and normalize my tracks when they are done. My last track however when I bounced it, the snare was taking up most of the gain space, and this was therefore taking the average level of the track down loads!

So I tried limiting but after I get to any level where I want to be, it just sounds too harsh.. also the snare cant go any quiter in the mix ! Ive tried compressing, limiting, everything!

This should be a simple problem but its not, now I may try just re-doing the drums for the track, or finding another snare rather than one I made myself cos this is ridiculous.


Any Ideas on what I can do?


I've had plenty of these problems before, mostly they were due to too many FX on the snare. Especially hard compression, distortion, or rediculous EQ settings (sliders that go up to the roof), caused this kind of shit. If your snare requires these settings to sound good then consider using a different snare.
If you want to continue with the current snare sound then take out all FX that could fuck up the snare, even on the master. And switch them back on one by one. Try to have as little compression, Frequency boosting or distortion on the snare(s). Maybe play the snare solo and bounce it when it sounds the way you like it, then reload and play it without any FX going on. When bouncing it you might want to bypass the FX on the master because otherwise you'll get the master FX on the sound twice (once when bouncing, again when using the bounced sample).

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22-02-2008 14:57 Homepage of BattleDrone
Tomos Tomos is a male
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quote:
Originally posted by BattleDrone
I've had plenty of these problems before, mostly they were due to too many FX on the snare. Especially hard compression, distortion, or rediculous EQ settings (sliders that go up to the roof), caused this kind of shit. If your snare requires these settings to sound good then consider using a different snare.
If you want to continue with the current snare sound then take out all FX that could fuck up the snare, even on the master. And switch them back on one by one. Try to have as little compression, Frequency boosting or distortion on the snare(s). Maybe play the snare solo and bounce it when it sounds the way you like it, then reload and play it without any FX going on. When bouncing it you might want to bypass the FX on the master because otherwise you'll get the master FX on the sound twice (once when bouncing, again when using the bounced sample).


Wise words indeed. Amen to that..... (see what I did there?)

Wink

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22-02-2008 18:00 Homepage of Tomos
Digital Cause Digital Cause is a male
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No fx on the snare at all ! ! ! ! its just layered up.... so yeah like i said i tried taking the volume down and still no luck... ive replaced the snare, but for some reason ive got the same problem ! this has never happened like this before! the tune must be cursed!

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23-02-2008 12:21
-J- -J- is a male
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quote:
Originally posted by Digital Cause
No fx on the snare at all ! ! ! ! its just layered up.... so yeah like i said i tried taking the volume down and still no luck... ive replaced the snare, but for some reason ive got the same problem ! this has never happened like this before! the tune must be cursed!

don't layer snares to fill up the same portion of the spectrum
like f.e. don't layer a 909 type o snare with another lo-mid peaky snare, cause you'll get an unbalanced sound
rather try layering a snare that peaks around 200-250 hz with another one that has way more hi end, but not the peaky mid section, or filter it out ...

if taking down volumes etc doesn't help, you're probably working with samples that are already clipping by theirself, and therefore are unusable if you wanna get a balanced sound. well you can actually use clipping samples, but then you'd have to resample a lot and still take down volumes


one trick, look at your overall mix, and take it down
lower all the faders on your mixer, and try adding each mixed layer at a time, you'll see that you end up putting each individual level way lower than they were before
try moving out of the room where you're in, and listen from another room which elements are too much, too peaky, and which elements are completely vanished into the chunk of sound Smile

oh yeah one more time:
quality samples, ... it all starts with quality samples .....

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23-02-2008 15:26
D2o D2o is a male
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try high-passing your snare at around 100Hz.

This might get rid of any low rumble and therefore free up some headroom.

Also some other sounds in the mix may contain similar frequencies to the fundermental of the snare so that when the snare hits it swallows lots of you're headroom.
Find out the fundermental frequency of your snare (either with a Freq Analyzer or a EQ sweep) then take some of this frequency out of your other sounds.

Not only will this free up headroom but it will also mean you might need to have to snare so loud to make it cut through the mix meaning you can boost the level of the whole track

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23-02-2008 18:09 Homepage of D2o
Halph-Price Halph-Price is a male
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like i have always said, snares don't matter because you can always replace them. just throw in another till it sounds good. a lot of spaces to look for snares taking too much gain from is the 200hz and below, you can filter that out it may help too. or try bringing the volume down ont eh snare and boost the 1k part a bit.

or ya, just replace it if it's not working. check my snare sample pack on this site for some good hard snares, snappy.

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24-02-2008 14:37 Homepage of Halph-Price
Digital Cause Digital Cause is a male
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quote:
Originally posted by Ghost
try high-passing your snare at around 100Hz.

This might get rid of any low rumble and therefore free up some headroom.

Also some other sounds in the mix may contain similar frequencies to the fundermental of the snare so that when the snare hits it swallows lots of you're headroom.
Find out the fundermental frequency of your snare (either with a Freq Analyzer or a EQ sweep) then take some of this frequency out of your other sounds.

Not only will this free up headroom but it will also mean you might need to have to snare so loud to make it cut through the mix meaning you can boost the level of the whole track



I actually find sometimes that high passing a snare will actually increase the gain!

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25-02-2008 11:54
D2o D2o is a male
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quote:
Originally posted by Digital Cause


I actually find sometimes that high passing a snare will actually increase the gain!


Roll Eyes

Well if thats the case then try out what else i said

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This post has been edited 1 time(s), it was last edited by D2o: 25-02-2008 12:00.

25-02-2008 11:59 Homepage of D2o
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quote:
Originally posted by Digital Cause
quote:
Originally posted by Ghost
try high-passing your snare at around 100Hz.

This might get rid of any low rumble and therefore free up some headroom.

Also some other sounds in the mix may contain similar frequencies to the fundermental of the snare so that when the snare hits it swallows lots of you're headroom.
Find out the fundermental frequency of your snare (either with a Freq Analyzer or a EQ sweep) then take some of this frequency out of your other sounds.

Not only will this free up headroom but it will also mean you might need to have to snare so loud to make it cut through the mix meaning you can boost the level of the whole track



I actually find sometimes that high passing a snare will actually increase the gain!


maybe your not really just hi passing, maybe you're using a filter which has a little bell at the HP frequency. so it takes out the lower end but boosts the frequency you put it on ...

maybe you're just turning up the volume while you hi pass ...

maybe you're just running cracked software Knownothing

...

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25-02-2008 12:30
Halph-Price Halph-Price is a male
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the filters Res. point is boosting but above that is reduced. gain shows the loudest of all freq, so if you have one freq loud in the 16hz it'll seem the who track islloud.

i suggest this hardclipping the snare, throw on a blood overdrive, and there ya go.

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25-02-2008 19:11 Homepage of Halph-Price
Digital Cause Digital Cause is a male
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yeah good idea, the overdrive thing....


and no im not running cracked software....


and believe it or not the filter has no resonance on it..(the logic highpass filter, not the AU one)


Smile

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25-02-2008 20:25
-J- -J- is a male
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quote:
Originally posted by Digital Cause
yeah good idea, the overdrive thing....


and no im not running cracked software....


and believe it or not the filter has no resonance on it..(the logic highpass filter, not the AU one)


Smile


logic ftw Wink

try using one of the AU eq's (the legacy djeq f.e.)
they're a bit more colourful and powerful than the channel eq

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26-02-2008 00:56
Digital Cause Digital Cause is a male
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mmm... used to but got used to the channel eq and like it a lot... any experience with the linear phase eq? the same but "doesnt affect the phasing".... hmm....

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26-02-2008 11:48
Digital Cause Digital Cause is a male
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ive just had the same problem with another track ! ! !

ok, so I take down the kik and snare, but then I swear they are way too quite in the mix.... ive tried everything shutting my eyes and bringing the faders up and all....I really cant figure it out !

If you take down the drums surely you are just raising the volume of the bass in effect? Confused

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26-02-2008 20:11
aljar3d aljar3d is a male
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my snares:

a little boost anywhere between 400Hz - 1400 Hz

high pass at not less than 200+ Hz

slight reverb around 600+ Hz

if it lacks punch, i add a little gain

if its too much by default, cutoff a little bit

more volume: wide stereo separation

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27-03-2008 08:53 Homepage of aljar3d
Surya Surya is a male
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quote:
Originally posted by aljar3d
more volume: wide stereo separation

Ugh, don't like that!

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28-03-2008 22:41 Homepage of Surya
Sephiroth Sephiroth is a male
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"a little boost anywhere between 400Hz - 1400 Hz"
- try not to boost, subtractive eq is always better, if it needs boosting then it means other tracks need frequencies removed, much better approach me thinks.

"slight reverb around 600+ Hz"
- i always find reverb makes the drums pretty muddy, dnb is too fast for the listener to be able to hear the reverb clearly unless ur using a really low decay time like 0.2 secs but then the reverb is barely present at all, dunno tho may jus be cuz i use alot of mid range that it muddys everything up.

i think its just good use of eq that makes ur snare clear in the mix without the levels going through the roof, get something like the voxengo span and analyse what frequencies the snare takes up and remove unwanted freq's in that range from other sounds, i always notch out some frequencies on my bass master channel to help the snare punch through. i always find that layering a break rolled off at like 2-3khz helps to add to the drum track overall and makes the snare stand out a bit more. real hard to get the snare nice n clear like the pro's do tho.

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28-03-2008 23:38 Homepage of Sephiroth
D2o D2o is a male
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@digital cause
Mate i tried to give you advice about this before that would of helped you but you seemed to ignore it.

quote:
Originally posted by aljar3d
more volume: wide stereo separation


i wouldn't add too much stereo widening to your main snare. cuz when its played in mono (which its quite likely to be if played in the club) you'll get phasing and it will loose its power. and making it stero wont make it go much louder.

quote:
Originally posted by aljar3d
high pass at not less than 200+ Hz


and high-passing no less than 200 isnt too good either. a deep snare will have its foundations around that area....dont want it to be all mouth and no balls Big Grin

quote:
Originally posted by aljar3d
if it lacks punch, i add a little gain


gain really isnt doing more than turning it up either. its not going to add punch.


a nice trick i got to add a tiny bit of stereo to a snare. (if you so want)
itsa quite subtle and doesnt fuck with things when you switch to mono

Set-up a stero send. add a eq or filter that high-passes around 250Hz then add a stereo delay on it.
set it to 100% wet and no feedback. Set the left up to say 5ms and then the right to about 8ms (those figures can be changed depending on the desired effect)

then send a little of your snare for a mild bit of stereo widening to it.

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28-03-2008 23:50 Homepage of D2o
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