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Sephiroth Sephiroth is a male
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I'm starting to think that im using too many layers when creating drums and its cluttering the mix, listening to pro dnb tracks, the drums sound lively without sounding too much.
i usually go about creating drums by slicing and re-arranging maybe 4 or 5 different breaks that provide different parts, i.e. a high end break, a mid break etc and then maybe add a couple of layers of my own programmed percussion with 2/3 different snares to beef up the snare sound and a kick sound too.
but after eq'ing, levels, pan etc it still sounds too cluttered and messy, how do pro's go about creating drum beats that sound very lively with a lot of movement without cluttering the mix and how does everyone here go about creating drums?
feedback much appreciated!!

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10-01-2008 20:13 Homepage of Sephiroth
Surya Surya is a male
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Mostly I layer about 4 or 5 samples to create my main snare, use 1 or 2 hats or rides, ghosts are usually 3 or 4 layers.

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10-01-2008 21:45 Homepage of Surya
D2o D2o is a male
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if your beat is sounding cluttered with that many breaks, try tightening up the envelopes on one or two of the breaks.

You'll still get the tone that is adding to the sound but you will loose some of the tails that might be cluttering the place up.

See when i make drums i like to use breaks all the time (can vary from 2 right up to 7+) but i'll tighten the more thumpy ones up by changing lowering the decay and sustain on the envelopes.

I'll leave the airy ones as they are though to keep the beat from sounding too sparse.

Then once the breaks sounding sweet (to my ears anyway Teeth i then go about layering kicks (usually only 1 or 2) and snares (again 1 or 2 possibly)

And depending on the track i'll add rides, hats and percussion

One thing to do as well is that if you are using several breaks make cut you cut out the lows on them, especially the ones that are only there for their high frequency content.


Hope that helps Big Grin

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10-01-2008 22:21 Homepage of D2o
Sephiroth Sephiroth is a male
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thanks for the help guys!

yeh i tend to do a lot of eq'ing to remove unwanted frequencies and pissing about with envelopes to tighten up breaks. i also use the camel phat plug-in to add a bit of distortion and filtering to accentuate high and lows, i think compression might be where im lacking to give the drums as a whole a boost and make them gel together, can't ever seem to get compression to make the drums sound tight and together. how do people approach compression? or does anyone know where i can find a good article on putting together and mixing drums?

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10-01-2008 22:26 Homepage of Sephiroth
D2o D2o is a male
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Compression....tricky subject

Well i personally dont use much of it.
Only on my "airy" breaks, It doesn't matter compressing these breaks for me because i'm not using them for their punch they are only there to fill things out a touch

One thing you might want to try is parallel compression, AKA New York Compression.

This is basically where in stead of having the compressor as in insert you use it as a send.

i do use this but only sparingly.

What i do is set up a compressor on a send. Turn the output down to 0. Then send my drums fully to the compressor. Set the compressor with a ratio around the 10:1 mark. Then have a quick attack time (around 5-10ms) with a release of around 100-150ms. Then turn the threshold down until there is about getting about -10dB of gain reduction.
Once i have this going, i slowly bring the output of the compressor up to the desired amount.

What this is doing is bassicaly mixing the raw punchiness of the untreated drums with a highly squashed version of them so you get the best of both worlds.

but be warned!! Go easy on this as its easy to go overboard with it.

And as a precaution i only apply it when im happy i've got the drums sounding pretty sweet before hand.

There is another thread on here about it somewhere, a search should uncover it for you Big Grin

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10-01-2008 23:07 Homepage of D2o
BattleDrone BattleDrone is a male
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quote:
Originally posted by sephiroth
thanks for the help guys!

yeh i tend to do a lot of eq'ing to remove unwanted frequencies and pissing about with envelopes to tighten up breaks. i also use the camel phat plug-in to add a bit of distortion and filtering to accentuate high and lows


Camelphat can introduce a lot of clutter and mess when not used properly or too much.
What works for me: start of with a kick-snare pattern which already has what it takes to get your head nodding. For this I usually take the kick and snare from a good break and layer up 1 or 2 snares and/or kicks.
Then I add self programmed hihats and maybe rides. I add a couple of ghost kicks (1 of the layered snares, pitched up a bit, cut off the low end, lowered the high end). This should sound good already, then I use a highpassed version of a break (same break as kick and snare originated from or other, depends really) and use only the ghost/hihat/bongo/... bits to make the "action" for the break. move around with the different bits untill it fits the stuff that's already playing. When the break is rolling fine I tend to throw Izothope Ozone on top (setting Drum Threatment, swith off stereo adjustment). To get that punchy feel to it. Finally I use an EQ to correct any unwanted peaks in the spectrum of the break.

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11-01-2008 09:39 Homepage of BattleDrone
Seven Gun Seven Gun is a male
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this should help....


http://www.specialist-sound.com/videos/l.../layering1.html
^^^^^^^^^^^^^^^^^^^^^
a beat layering tutorial from an older thread

quote:
Originally posted by Seven Gun
quote:
Originally posted by BattleDrone
- The full sound track gets turned on a couple of times when you are not expecting it and it is very loud compared to the voice over, so it scared the shit out of me Shocked .
Be prepared Happy


me too Shocked



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11-01-2008 11:34
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camel phat sucks for compressing beats dont use it at all for beats just for twisting sounds the best compressor i got is the fabfilter pro c that gives a good sound to the beats man use that one


on layering beats i use a pre made break fattent it up then start to layer in the percussion as the back beat makes the break lively and run more try adding a amen to it and highpass the shit out of it just to give the movement in there.

its all about levels man you dont need shit loads of layers just the right sort of ones, to many cooks spoil the broth if you know what i mean

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11-01-2008 13:52 Homepage of collective
Sephiroth Sephiroth is a male
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thanks for help everyone!

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Sephiroth Soundcloud: http://soundcloud.com/sephiroth_rees

Sephiroth Myspace: http://www.myspace.com/sephirothdnb

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11-01-2008 18:35 Homepage of Sephiroth
Halph-Price Halph-Price is a male
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my formula is 4 different breaks usually with ghost snares in them, some classic ones like the amen an actually dnb break, and 2 otehr usually one that has a nice snare and another that has nice hats, and layer them all up hit by hit, mixing them up using a very basic drum loop, and then get all thelevels fine, make sure theres nothing offtimed and no clips or pops. then layer on a few snares,, cut the 100hz out of drum loops and layer in a nice sharp kick,.

have a set-up for drum mastering, sharp compression with amazing snappy attack, which is only good for mastering because it has 350ms latency, but it's as good as a real tube compressor, by voxengo Crunchessor.

use the cool mastering eq in FL, tube emulator, and then overdrive to bring everything up and loud, and then mastering on it all to make it uniform.


it works great. check the sample page to see the breaks. it took a very very long time and full of experimenting to figure it out perfect.

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This post has been edited 1 time(s), it was last edited by Halph-Price: 14-01-2008 17:50.

14-01-2008 17:49 Homepage of Halph-Price
Tomos Tomos is a male
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quote:
Originally posted by Halph-Price
my formula is 4 different breaks usually with ghost snares in them, some classic ones like the amen an actually dnb break, and 2 otehr usually one that has a nice snare and another that has nice hats, and layer them all up hit by hit, mixing them up using a very basic drum loop, and then get all thelevels fine, make sure theres nothing offtimed and no clips or pops. then layer on a few snares,, cut the 100hz out of drum loops and layer in a nice sharp kick,.

have a set-up for drum mastering, sharp compression with amazing snappy attack, which is only good for mastering because it has 350ms latency, but it's as good as a real tube compressor, by voxengo Crunchessor.

use the cool mastering eq in FL, tube emulator, and then overdrive to bring everything up and loud, and then mastering on it all to make it uniform.


it works great. check the sample page to see the breaks. it took a very very long time and full of experimenting to figure it out perfect.


Nice answer! That's really useful. Gonna put some of that into practice.

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This post has been edited 1 time(s), it was last edited by Tomos: 14-01-2008 18:02.

14-01-2008 18:02 Homepage of Tomos
Halph-Price Halph-Price is a male
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the reason for doing the same pattern for the drum loops is that i can replace them easily with eachother just by replacing the sample in slicer. Smile

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15-01-2008 06:54 Homepage of Halph-Price
CULTURE BOY CULTURE BOY is a male
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if ya beats are sounding too cluttered then take a few breaks out. you dont have to use loads of breaks to make them sound " PRO". good quality samples and eqing should see you right. i think

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15-01-2008 20:53 Homepage of CULTURE BOY
BattleDrone BattleDrone is a male
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quote:
Originally posted by Halph-Price
the reason for doing the same pattern for the drum loops is that i can replace them easily with eachother just by replacing the sample in slicer. Smile


What slicer do you use then? Not the standard FL one I guess?

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15-01-2008 20:59 Homepage of BattleDrone
Halph-Price Halph-Price is a male
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the standard one, you can reslice them and get them good, also use adobe auditiont o do small edits like taking the start of the break and putting it at the end, i always use the wrap around render.

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15-01-2008 21:09 Homepage of Halph-Price
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quote:
Originally posted by BattleDrone
quote:
Originally posted by Halph-Price
the reason for doing the same pattern for the drum loops is that i can replace them easily with eachother just by replacing the sample in slicer. Smile


What slicer do you use then? Not the standard FL one I guess?


You can try Recycle to slice up tracks, its very good, p.s Optimus Prime FTW ! Big Grin
17-01-2008 18:07
drumnbass.be forum » Production » Production questions & answers » How does everyone put drums together?